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	<title>Comments on: On audio fidelity</title>
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	<link>http://mifi.ca/2007/04/09/on-audio-fidelity/</link>
	<description>music, macs and mets ... mostly.</description>
	<pubDate>Sat, 19 May 2012 08:24:58 +0000</pubDate>
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		<title>By: hugh</title>
		<link>http://mifi.ca/2007/04/09/on-audio-fidelity/comment-page-1/#comment-532</link>
		<dc:creator>hugh</dc:creator>
		<pubDate>Tue, 10 Apr 2007 16:01:14 +0000</pubDate>
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		<description>so we need to start a little project:

www.dynamicrangepreservation.com

and enlist musicians.</description>
		<content:encoded><![CDATA[<p>so we need to start a little project:</p>
<p><a href="http://www.dynamicrangepreservation.com" rel="nofollow">http://www.dynamicrangepreservation.com</a></p>
<p>and enlist musicians.</p>
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		<title>By: maurizio</title>
		<link>http://mifi.ca/2007/04/09/on-audio-fidelity/comment-page-1/#comment-531</link>
		<dc:creator>maurizio</dc:creator>
		<pubDate>Tue, 10 Apr 2007 03:46:17 +0000</pubDate>
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		<description>&lt;blockquote&gt;... but does the home studio/internet distribution model mean that we can’t get to good dynamic range? that is, does good sound quality become a luxury that only the “self-indulgent,” and rich, musician can afford?&lt;/blockquote&gt;

Au contraire. Musicians today have at their disposal excellent and relatively inexpensive recording, mixing and mastering tools. It's well within their reach to make high-quality home-studio recordings.

Ironically, it's usually when the potential for radio play and distribution deals loom, that the life gets compressed out of recordings.</description>
		<content:encoded><![CDATA[<blockquote><p>&#8230; but does the home studio/internet distribution model mean that we can’t get to good dynamic range? that is, does good sound quality become a luxury that only the “self-indulgent,” and rich, musician can afford?</p></blockquote>
<p>Au contraire. Musicians today have at their disposal excellent and relatively inexpensive recording, mixing and mastering tools. It&#8217;s well within their reach to make high-quality home-studio recordings.</p>
<p>Ironically, it&#8217;s usually when the potential for radio play and distribution deals loom, that the life gets compressed out of recordings.</p>
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		<title>By: hughmcguire.net &#183; digital media sucks</title>
		<link>http://mifi.ca/2007/04/09/on-audio-fidelity/comment-page-1/#comment-530</link>
		<dc:creator>hughmcguire.net &#183; digital media sucks</dc:creator>
		<pubDate>Tue, 10 Apr 2007 03:23:29 +0000</pubDate>
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		<description>[...] [more &#8230;] [...]</description>
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		<title>By: hugh</title>
		<link>http://mifi.ca/2007/04/09/on-audio-fidelity/comment-page-1/#comment-529</link>
		<dc:creator>hugh</dc:creator>
		<pubDate>Tue, 10 Apr 2007 03:19:57 +0000</pubDate>
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		<description>amen. amen. amen. 

the only way to beat this is if musicians themselves - now free to produce and distribute their own music - start demanding it.  but does the home studio/internet distribution model mean that we can't get to good dynamic range? that is, does good sound quality become a luxury that only the "self-indulgent," and rich, musician can afford? 

maybe this is one financial model: give away your mp3s, but charge for proper quality audio. so good audio becomes a kind of fetish ... like fine scotch or expensive cars.</description>
		<content:encoded><![CDATA[<p>amen. amen. amen. </p>
<p>the only way to beat this is if musicians themselves - now free to produce and distribute their own music - start demanding it.  but does the home studio/internet distribution model mean that we can&#8217;t get to good dynamic range? that is, does good sound quality become a luxury that only the &#8220;self-indulgent,&#8221; and rich, musician can afford? </p>
<p>maybe this is one financial model: give away your mp3s, but charge for proper quality audio. so good audio becomes a kind of fetish &#8230; like fine scotch or expensive cars.</p>
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