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Here’s a really cool application, aptly named Do Something When (’DSW’ to his friends).

‘Ever made a mess of your iTunes library because you didn’t have your external library disk mounted while iTunes was running?

Well, Do Something When should take care of this, and some. DSW is a preference panel that allows you, well, to do something when. For example you can set it to launch iTunes when you mount your external music library disk, or have it quit iTunes when you unmount the drive. Same for VLC and your video library hard drive. Have DSW launch Final Cut Pro when you mount your pristine, totally defragged media drive.

Update: jaywest brought to my attention the fact that there seems to be an issue with the way DSW works under the Mac OSX 10.4.9 update. More soon.

I was thinking about the iPod’s fifth anniversary, and how the iPod and the MP3 have revolutionized how we interact with recorded music. I thought I’d offer up 5 things I’ve learned about keeping a digital music library in the last 5 years or so. (I’m told that numbered lists make great blog entries.)

  1. Use MP3. Although file formats like OGG and AAC/MP4 offer some advantages in quality (OGG) and features (AAC/MP4), nothing is as portable as the MP3 file format. I can play the same MP3 file on any computer, in the car, on my iPod, and on almost any mobile device. Other file formats don’t offer the same “encode once and forget it” possibility.
  2. Go big. While on the “encode once” theme: Encode at the highest possible bit rate you can afford in terms of storage space. For the longest time I encoded at 192k out of concern for file size and drive space. I now encode at 320k knowing that hard drive prices continue to drop dramatically. More importantly, at 320k the audio fidelity of a well encoded MP3 file is absolutely indistinguishable from CD audio. At 320k I’ll never rip that same file to MP3 again.
  3. The MP3 encoder in iTunes is not great. Use LAME instead. It’s open source and free. Blacktree (maker of Quicksilver) even makes an iTunes interface for LAME (iTunes-LAME Encoder) so you can encode with LAME from within iTunes. Couldn’t be easier.
  4. It can be a real housekeeping chore, but it’s crucial to be meticulous with your files’ ID3 tags. Meta data is your friend. Make sure you fill in the ID3 info religiously. ID3 tags will help tame the largest of digital libraries and they’ll make perusing your MP3 collection a pleasure. Use an application like Media Rage to get your meta data in ship shape. Once your ID3 tags are in order set iTunes to “Keep iTunes music folder organized” and “Copy files into iTunes folder when adding to library” (preferences/advanced) and your iTunes library will look a thing of beauty.
  5. Back up.

Here’s an interesting new service: Bandwagon, “an online iTunes backup service for Mac users”. Bandwagon offers unlimited storage for iTunes backups for only $69 US per year. That’s right, install their app and it will manage automatic, unmonitored backups of your entire iTunes library for less than $10 CDN per month.

Too good to be true? Martin and I put on our tinfoil hats to come up with some theories behind Bandwagon’s offering.

  • Bandwagon is sharing your music with all their friends
  • Bandwagon is a front for the RIAA. (’Got IP?)
  • Bandwagon is financed by AllofMP3 as a cheap source of new files

Got any ideas? Leave a comment.

Kidding aside, I’m definitely going to give this a try and report back.

In an open letter titled “Thoughts on Music”, Steve Jobs challenges the major labels on iTunes Store DRM and gives Bill Gates the finger. Strategically, it’s a very interesting volley. Here’s John Gruber reading between the lines.

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