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I was thinking about the iPod’s fifth anniversary, and how the iPod and the MP3 have revolutionized how we interact with recorded music. I thought I’d offer up 5 things I’ve learned about keeping a digital music library in the last 5 years or so. (I’m told that numbered lists make great blog entries.)

  1. Use MP3. Although file formats like OGG and AAC/MP4 offer some advantages in quality (OGG) and features (AAC/MP4), nothing is as portable as the MP3 file format. I can play the same MP3 file on any computer, in the car, on my iPod, and on almost any mobile device. Other file formats don’t offer the same “encode once and forget it” possibility.
  2. Go big. While on the “encode once” theme: Encode at the highest possible bit rate you can afford in terms of storage space. For the longest time I encoded at 192k out of concern for file size and drive space. I now encode at 320k knowing that hard drive prices continue to drop dramatically. More importantly, at 320k the audio fidelity of a well encoded MP3 file is absolutely indistinguishable from CD audio. At 320k I’ll never rip that same file to MP3 again.
  3. The MP3 encoder in iTunes is not great. Use LAME instead. It’s open source and free. Blacktree (maker of Quicksilver) even makes an iTunes interface for LAME (iTunes-LAME Encoder) so you can encode with LAME from within iTunes. Couldn’t be easier.
  4. It can be a real housekeeping chore, but it’s crucial to be meticulous with your files’ ID3 tags. Meta data is your friend. Make sure you fill in the ID3 info religiously. ID3 tags will help tame the largest of digital libraries and they’ll make perusing your MP3 collection a pleasure. Use an application like Media Rage to get your meta data in ship shape. Once your ID3 tags are in order set iTunes to “Keep iTunes music folder organized” and “Copy files into iTunes folder when adding to library” (preferences/advanced) and your iTunes library will look a thing of beauty.
  5. Back up.

As this is ’sposed to be a blog about digital media (mostly) and since I’ve been an XM Radio subscriber for more than a year and half, I’ve been meaning to post about how much I love XM, and how I’m lukewarm on Sirius.

And then, last week XM Satellite Radio and Sirius Satellite Radio made official their plans to merge in the US. XM and Sirius in Canada are independent partner companies of the US corporations. I believe CBC owns up to 40% of Sirius in Canada.

The FCC will need to rule on whether the proposed merger will constitute a monopoly. Interestingly, the satellite operator’s best argument in support of a merger is the strong competition offered up by Internet radio, terrestrial HD radio, streaming audio/video over mobile networks, audio over digital TV, and of course podcasts. No doubt there’s future blog fodder here.

I first considered getting XM for the cottage. While I have about 200GB of music in my iTunes library and a 5th generation iPod, sometimes I don’t want to be the music programmer. That’s where XM is great; great music channels with deep playlists, higher fidelity audio than Sirius, no commercials on their music channels, BBC World Service, pretty decent comedy, and Major League Baseball — Summer just isn’t summer without baseball on the radio, and with XM, I can get every single Mets game, home or away. On top of that, XM even offered a dedicated channel for World Cup 2006. For me, Sirius doesn’t stack up.

It’s unclear how the merger might unfold in the US. Sirius and XM each operate their own satellites and their signals are incompatible with each other’s radios. They may, for the time being, duplicate their services over both sets of satellites, but there will surely be a purge of duplicate programming.

What will this mean for Canadian subcribers of one of the two services? Is a Canadian merger inevitable?

Stay … err, tuned.

Here’s a round-up of merger commentary from this past weekend on SatelliteLink.net

Here’s Tod Maffin on the merger

Here’s an interesting new service: Bandwagon, “an online iTunes backup service for Mac users”. Bandwagon offers unlimited storage for iTunes backups for only $69 US per year. That’s right, install their app and it will manage automatic, unmonitored backups of your entire iTunes library for less than $10 CDN per month.

Too good to be true? Martin and I put on our tinfoil hats to come up with some theories behind Bandwagon’s offering.

  • Bandwagon is sharing your music with all their friends
  • Bandwagon is a front for the RIAA. (’Got IP?)
  • Bandwagon is financed by AllofMP3 as a cheap source of new files

Got any ideas? Leave a comment.

Kidding aside, I’m definitely going to give this a try and report back.

In an open letter titled “Thoughts on Music”, Steve Jobs challenges the major labels on iTunes Store DRM and gives Bill Gates the finger. Strategically, it’s a very interesting volley. Here’s John Gruber reading between the lines.

Mark tagged me in his post Tag! I’m it! which, in turn, is a response to CC Chapmans’ post If My Life Was a Movie, What Would the Soundtrack Be? (read his post for game instructions).

As Mark says, “The idea is to put your media player on shuffle and record the name of each song that comes up in sequence against a specific list of scenes in your life — also in sequence”.

Full disclosure: I used the shuffle feature in iTunes instead of a portable media player because my iPod is in vacation prep mode and is uncharacteristically laden with reggae at the moment. Also, I skipped any orchestral or obscure jazz tracks that came up.

Here’s what I came up with by pressing “shuffle”:

Opening credits
The Empty Page - Sonic Youth

First day of school
I’ll Be Your Mirror - Velvet Underground

Falling in love
Deluge - Dave Douglas

Prom/Grad
Whatever happened to? - Buzzcocks

Mental breakdown
What’s Going On? - Marvin Gaye

Flashbacks
Always Tomorrow - Bob Mould

Getting back together
Her Love Rubbed Off - The Cramps

Wedding scene
Less - Ben Harper

Final battle
Time Will Tell - Bob Marley & The Wailers

Death scene
Don’t Ask For The Water - Ryan Adams

Funeral scene
Blister In The Sun - Violent Femmes

End credits
Modal Mood - Dexter Gordon

Finale
Flying - Faces

My turn, my turn! I’m tagging Chris Lawson, Chris Dearlove, Evan Thornton, Jason Westerlund, and Hugh McGuire

While looking for rights free public domain music files to use in the NACOcast, I stumbled across a page that corrals all the music files on Wikipedia into a single list. Very nice. All the big guns are there; from Bach, Mozart, and Beethoven through to Debussy and Janáček.

The files themselves are in OGG format. Many free players handle the OGG format and there many converters avaialble for porting the files to other formats. There’s even a QuickTime plugin that allows you to play OGG files directly in iTunes.

The Wikipedia list is a great way to fill up your MP3 player — for when you’re done with Frantic City

Who knew?

I can’t remember the last time I bought a CD in a record store (do they still call them that?), other than maybe as a gift. Just before Christmas I was killing some time in the local HMV. Mostly I was noticing how little music is actually in a music store these days. As a lark, I checked the “T” bin for Teenage Head.

Now, I’ve been looking for a copy of their album Frantic City for years — It’s one of those hugely evocative aural romps down memory lane — to absolutely no avail; not in stores, not mail order, not online, not even from any of the dodgier sources.

I had long misplaced my vinyl copy. (I’m convinced somewhere in this city, in some friend’s basement, there’s a stash of my LPs we’ve all forgotten about.)

Long story short, there it was, at the HMV … in the mall. Go figure.

I don’t think our car stereo has ever been cranked as loud.

Anyway, if you’re the friend with the forlorn stack of vinyl in your garage, could you check it for L’Etranger’s deput EP? Thanks.

We like sheep

On Monday we posted the last NACOcast episode for this year. Christopher really outdid himself this time — It’s a wonderful 30-minute guided tour of Handel’s Messiah.

The post title? You have to tune in.

 
 NACOcast - 18.12.2006 - A Messiah Digest [30:40m]: Play Now | Play in Popup | Download

Live concerts galore

Did you tune in to the King Biscuit Flower Hour as a kid, way past your bedtime on a crappy hand-held transistor radio? Me too!

You’ll be glad to learn then, literally hundreds of concerts like those from KBFH — part of legendary concert promoter Bill Graham’s vast archive — are available as streaming audio from rock merchandise vendor Wolfgang’s Vault. Concerts by artists as varied as Elvis Costello, Bob Marley, Little Feat, King Crimson, Miles Davis and The Clash are available as online streaming audio.

Although the feeds’ bit rate is quite low (my guess is less than 64k) the shows are worth a listen, especially if you find yourself able to listen to music for extended periods at your computer (read work).

As a bonus, the throttled bitrate hearkens back to my little red Hitachi portable.

Sound Opinions

In a media landscape dominated by Viacoms, Clear Channels and Disneys (the big box strip malls of ‘content’), podcasting has allowed us to easily (re-) connect with quality programming boutiques. One of these gems is the music review show Sound Opinions originating from Chicago Public Radio.

Combining the energy of college radio and the savvy of seasoned music journalism, hosts Jim DeRogatis and Greg Kot are passionate and knowledgeable and a pleasure to listen to.

I love that I can listen to Sound Opinions on my walk to work, where I don’t have the time to devour music monthlies anymore. It’s rekindled for me an interest in indie rock. Just recently the podcast introduced me to the group Midlake and had me give The Decemberists a second try (much to my surprise, I was blown away by their latest album, The Crane Wife).

Recent Sound Opinions shows have featured the art of the Mixtape, and of course a Year in Review show.

Check out the back catalogue of shows : RSS.

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